Wednesday, 24 November 2010

5. Dole Pineapple Chunks


This is an art deco poster advertising dole pineapple chunks. Art deco lent itself towards mass production, celebrating modern technology. This poster advertising the distribution of pineapple chunks to a wide public using modern technology. Also the Art Deco style was seen as new and exciting, there is an absence of historical reference.

Lecture 4: Advertising and New Media

William Hesketh Lever and James Darcey started Unilever in the 1890's.
A ubiquitous brand, "part of the consumers mental furniture"

Bill Bernbach paired copywriters with directors.

In the 1860's the technology to print on mass and folding and filling boxes was made.
Along with abolishment of taxes on newspapers in 1855 and on paper in 1861.
The press owes much to advertising.

Lever begins buying contemporary art from the colleges and using them in his adverts. At this point once you bought the piece you owned its copywrite too.

Product placement in the painting "The Wedding Morning" famously replacing a tea cup and a clock with his soap "Sunlight Soap"
It had royal endorsement "Soapmakers to the queen" and a wrapper scheme. Collect 750 and get a record player, collect 4000 and get a rolled gold watch.

1899 Lever begins to buy other companies and selling soap for washing floors with a tropical theme to the advertisements, steering away from the forced labour he used to get the palm oil.

He placed his posters in well chosen places, such as the inside on train carriage doors so they could be seen all down the platform when loading and unloading.

Lever was a firm advocate of the truth or so he says.

He marketed Sunlight soap as;

- making washing easier which meant
- you will age slower
- so you will have more time for romance
- so you will get laid more.

It also had a british stamp on it so along with the royal endorsement it sold itself through the british empire.

High Feeling tactic - "If you are unclean you are worth shit." Linx still use this technique.

Descrepancy theory - The difference between the self and the ideal self. A psychological concept.

"Nine out of ten screen stars care for their skin with Lux Soap." - Proctor and Gamble

Economic Liberals - Capitalists

- Good trade relations between countries help keep the peace
- advertising creates more jobs

New Media

From Mass Media to My Media,

Viral advertising, volountary online viewing

Old method - Direct transmission

New method - Cybernetic, it engages with the audience for example

- The coke mentos experiments
- The old spice viral campaign using twitter to get responses
- youtube competition - "Embrace Life"
- NYC tourism campaign, 4 new oasis songs played by street artists positioned around the city. "Dig out your soul" people encouraged to go find the artists through google maps etc.

Mobile phones are the promotional channel for the future of advertising.

The Kairos Factor - picking oppertune moments to advertise to people, mobile devices connected to the internet make this possible.

The internet makes mass creative collaboration possible.

Monday, 22 November 2010

4. Adolphe Mouron Cassandre - Nord Express


This was created in the 1930's to be an alternative to the Russian Constructivists graphic design and the Bauhaus graphic design.
The image is a poster advertising the Nord express, a modern railway. Its subject matter supports the modern ideal. It has been designed to be mass produced using modern technology. There is no historical reference in style or content.

3. Buy a share of a winning loan, Unknown artist, 1923


"The poster is unique to a very short window in time where the man portrayed is not a worker - with the Soviet Union falling apart, the Soviets needed to appeal to small-time capitalists to get the economy moving again." - International Poster

Again this is a poster designed for mass production using minimum colours. It supported modern industrial methods being used in a way the supports the people aiming for utopian ideals. There is an absence of historical reference, this poster is about building for the future.

2. Sign up for the Urals Workers - 1924


This is a poster from 1924. The artist is named as Blik. It is a sign for workers in the Ural disctrict. The design shows the working man as powerful. The poster uses minimal colours to save resources. It is designed to be printed using modern industrial methods.

Sunday, 21 November 2010

1. Georgi and Vladimier Steinberg 1929


This is a film poster utilizing photomontage. The spiralling design attracted me to it initially. I noticed the red and white building in a wedge shape at the top. I think this is significant, as this was after Stalin took control. Its also obvious that this image does not follow the definition of social realism. I dont think its constructivist either though. The grand tall office block style buildings speak more to me of beurocracy and economic power than a language for the proletariat, although its also likely the way I see it is jaded by a lack of knowledge of Russian history and over exposure to these sort of images being used in such a way in our society.

Tuesday, 16 November 2010

Image Comparison 1

Poster by Saville Lumley (1915)

This is a poster aimed to emotionally blackmail. It is aimed at men with family values and enough money to make it through the war without being a soldier. It intends to persuade them to sign up to the army. This is before it was mandatory to go to war for all young men. It is set after the war,

“what did you do in the great war?”

The text is italicized to make it seem more personal, like a handwritten note. The “YOU” is capitalised and underlined directing it at the reader of the poster. It is spoken by the daughter of the man while his son sits on the floor playing with toy soldiers, glorifying the idea and implying that it is the duty and nature of all young men to go to war and that perhaps the son has already outgrown the father as a man. The son and father also both where red, although the fathers red jacket is faded, to me this connotes a fading figure of a man where the son is the future. The red rose is all over the poster as a pattern as are English flag colours. The text itself implies that everything has turned out ok because it is in the past tense. It even goes so far as to refer to a current war as ‘the Great War.’

The Uncle Sam Range by Schumacher and Ettlinger (1876)

The purpose of this advert is to sell The Uncle Sam Cooking Range by promoting it as a tool for gaining high social status. It is aimed at men with enough money to afford it but not enough to be so comfortable that they don’t care about gaining higher social status. This is the main focus of the advert as the product is only half shown. The poster features central an al American male, sat in grandiose dining room at the table, his wife serving food and a slave cooking at the stove. The slave herself is status symbol. There are many images in this advert that are intended to make independent American seem superior to the rest of the world intending to make the American viewer believe he is already half way at least to be becoming a superior being to the rest of the human race. A clock in the top left has one hand at ‘1776’ (Independence day) and the other on the current year (1876,) one hundred years on. The man is set with globe character with a caricature African face taking the place of the African continent. Written on the table cloth is “Uncle Sam’s Dinner Party’ The globe is holding a menu for the world divided by country serving stereotypical staple diets. For example, China are being served boiled birds’ nests and locusts and Ireland get potatoes served in all the various ways of serving them. The all American male however is being served roast poultry with a variety of vegetables that we can see. Through the window we see Centenary Hall, Philadelphia, where they held an exhibition of American culture.

Both images are focused on men within a certain social status. While the American poster relies on the man wanting to gain higher social status, the war poster relies on the attitude of the man making him a target for emotional blackmail. Both rely on patriotism as a given in the audience. Both images rely on a fantasy structure to be built in the audiences mind through the use of unconscious imagery and typography. They can then manipulate for their own gain.